Wednesday Writing Word: Epistrophe

Epistrophe

/ɛˈpɪstrəfi/  |  eh-PISS-truh-fee

 

Epistrophe is the repetition of a word or phrase at the end of consecutive sentences or clauses (basically the converse of anaphora).  Like its counterpart, it is mostly used for emphasis through poetic redundancy.

 

Examples:

  • The slog is the worst, its face is the worst, and its mere existence is the worst.
  • Stop writing, and you lose.  Stop editing, and they lose.  Humor the slog, and we all lose.
  • I’d slay the slog with pleasure, then dump its remains with pleasure, so I could finally write – with pleasure!

 

Epistrophe.  Use it.

 

Bene scribete.

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Literally?

Confused man

 

A few days ago, a friend of mine posted an article on Facebook concerning the use of the word ‘literally’ in the increasingly popular figurative sense.  The article unfortunately seems to have disappeared at the moment, but the gist of it was pointing out that most dictionaries have now appended this alternate meaning to the word’s definition, and explaining that this usage may have originated with, or was at least first recorded in, Frances Brooke’s The History of Emily Montague (published in 1769).

Naturally, this sparked a conversation on whether or not this sort of language development is acceptable.  Prior to encountering this, I had no idea there was even a movement to gain legitimacy for this non-literal use of ‘literally’, as it’s kind of the butt of diction jokes everywhere, but there are apparently many who feel that rejecting it (or any other semantic shift) amounts to needless linguistic authoritarianism.

My own take on the matter was as such:

The evolution of language and words is a natural, inevitable thing, and in the general case it is something to be embraced.  That said, stability is a necessity of language’s functionality, thus any given modification cannot be assumed to possess intrinsic merit.

Language is a tool of communication, of which clarity is an important aspect, and I should assert that preserving its ability to convey meaning is a not an unworthy goal, particularly in an instance such as this wherein the suggested secondary interpretation of a term, when used in the same context, implies something strictly antithetical to what the accepted definition would.  This dilution of precision, while admittedly neither entirely untenable nor without precedent, is nevertheless customarily unfavorable.

(That the word was used in this sense a few centuries ago scarcely argues its virtue – words have been used improperly since words were first words, and most such misuses do not incur a change in their respective societal perceptions!)

But, I’ll concede to being guilty of a little linguistic snobbery.  People will say what they will, and language will be thus, regardless of what may or may not be in its own best interest.  (>^-‘)>

 

I’m curious to hear where others lie on the issue, though.  Any thoughts to add?

 

Bene scribete.

Wednesday Writing Word: Tautology

Tautology

/tɔˈtɒlədʒi/  |  taw-TAW-luh-jee

 

Tautology is a multifaceted concept.  In most cases, it refers to something contextually uninformative.  This can be as simple as a redundant word or phrase (“He burnt his hand in hot fire.”, “Julie the bachelorette arrived last, without a husband.”), but in what I’d call its most interesting form, a tautology is an entire assertion that is rendered intrinsically meaningless strictly because it is inherently true.

With so many ways to convey information in language, there is just something I find almost artfully ridiculous in the construction of a syntactically and semantically sound statement which nevertheless effectively communicates nothing under any interpretation.

 

Examples:

  • The stupid things that the slog does are all stupid.
  • The slog is precisely as terrible as it is.
  • Either I’ll defeat the slog, or I won’t.

 

Tautology.  (Don’t?) use it.

 

Bene scribete.

Wednesday Writing Word: Synecdoche

Synecdoche

/sɪˈnɛkdəki/  |  sih-NECK-duh-kee

 

Aside from being an uglier word to say than look at, a synecdoche is a specific type of metonym where something is referred to by either a component of itself or, conversely, a broader category to which it belongs.  When I call myself a writer, I’m naming one aspect of the process to say that I’m a storyteller.

 

Other examples:

  • I need to find a way to put the slog in irons.  [Referring to shackles by their material]
  • Seeking to escape the slog, we entreated the Church to grant us asylum.  [Referring to specific people by the organization they belong to, and that organization by the building it works in]

 

Synecdoche.  Use it.

 

Bene scribete.

Wednesday Writing Word: Anadiplosis

Anadiplosis

/ˌænədɪˈploʊsɪs/  |  AN-uh-dih-PLO-sis

 

Anadiplosis is the repetition of a clause or sentence’s final word(s) at the beginning of the clause or sentence that follows it.  Often strung together to emphasize a linear progression (think Yoda’s mantra, “Fear leads to angerAnger leads to hateHate leads to suffering.”).  With a little reflexivity, it can also set up chiasmus or antimetabole.

 

Other examples:

  • I hate the slog; the slog is awful.  Awful things are no goodgood things are much better.
  • He entered the house, and the house had many rooms, but the rooms were full of boxes, the boxes were stuffed with notes, the notes contained a warning, and that warning read “Beware the slog.”

 

Anadiplosis.  Use it.

 

Bene scribete.

Wednesday Writing Word: Metonym

Metonym

/ˈmɛtənɪm/  |  MET-uh-nim

 

Metonymy is the metaphorical referral to something by the name of something closely related to it.  Typically used for poetic symbolism, it’s more often seen in established examples than it is in unique cases.  For my fellow Game of Thrones fans, “The Iron Throne” is an often-used metonym for the rulership of Westeros.

 

Other examples:

  • The slog can drive a writer to the bottle.  [Referring to drinking alcoholic beverages]
  • Lo slog, das slogel slog – in any tongue the slog is still the slog.  [Referring to a language]

 

Metonymy.  Use it.

 

Bene scribete.
 


 

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Wednesday Writing Word: Chiasmus

Chiasmus

/kaɪˈæzməs/  |  kye-AZ-muss

 

This is a fun one. Chiasmus occurs when parallel phrases/clauses are syntactically or semantically inverted.  It can be as simple as reversing parts of speech (such as the order of a verb and its adverb), or it can set up statements with poetic symmetry.  Probably better explained by showing than telling.

 

Examples:

  • I hate that the slog exists, and what it does I despise.
  • I wish that the slog would suddenly disappear and die horribly.
  • From a muse you get inspiration; you only get inhibition from the slog.
  • The slog is stupid like a rock, but like a boulder it can crush you.

 

Chiasmus.  Use it.

 

Bene scribete.
 


 

(Want to win a free signed copy of The Amber Ring?  Check the link for details.  No entrants yet, so the odds are sitting at 100%!)

 

Wednesday Writing Word: Metanoia

Metanoia

ˌmɛtəˈnɔɪə  |  met-uh-NOY-uh

 

Metanoia, as a rhetoric device, is following up a statement with another of similar sentiment but contrasting severity.  When strengthening the original idea, it can be used as a clarifier or an escalating gradient; when softening it, it can create a mild recanting or a dramatic understatement.

 

Examples:

  • I fear that the slog is going to hinder me – that it’s going to smoother my brain, dull my senses, and rip the joy out of everything I do.
  • The slog is the absolute worst.  It’s just…really not my favorite thing, you know?

 

Metanoia.  Use it.

 

Bene scribete.

Wednesday Writing Word: Epanalepsis

Epanalepsis

/ˌɛpənəˈlɛpsɪs/  |  EP-ah-nuh-LEP-sis

 

Epanalepsis is the repetition of a sentence’s (or occasionally clause’s) first word or phrase at its end.  Used for a particular sort of poetic emphasis, it can sound pretty awkward if not done carefully.

 

Examples:

  • Wretched is the slog, for its intentions are wretched.
  • You must be wary of the slog‘s embrace; it is cruel yet inviting, and of its allure you must be wary.

 

Epanalepsis.  Use it.

 

Bene scribete.

Wednesday Writing Word: Polyseme

Polyseme

/ˈpɒliˌsim/  |  PAUL-ee-seem

 

Polysemy is the semantic relation among identical words of affiliated or derived meaning.   A polyseme can be as simple as a word with multiple similar contexts (mattress pad / paw pad / mouse pad), but they are more interesting and useful when they cross part-of-speech borders.  If we say “He will bat the bat with a bat,” bat (swat) and bat (baseball) are polysemes, whereas they are merely homonyms with bat (animal).

 

Other examples:

 

Polysemy.  Use it.

 

Bene scribete.